shooting 800 iso film in daylight

Right: colour-corrected. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. ISO 1600 film is not the right choice for shooting on a sunny day. Find out more about 35mmc here. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. The Sunny 16 Method I am old school and just curious about the settings on Film camera. CineStill 800T is a great alternative to the few options we have. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. Does With(NoLock) help with query performance? Can I develop my b&w film a year after shooting it? So what *is* the Latin word for chocolate? For example, 5500K is very close to the suns. So with most cameras there is a trade-off between noise and overexposure headroom. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. I'm new to 35mm photography and am very much still getting the hang of things. About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). How much should I push my film? A part of this is no doubt down to the innate image quality of Portra 800. Left: colour-corrected. Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. I like "being in the now . Please see my straight-scan comparison I added at the end of the post. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. I have heard things on the internet that they do harm your film; but in my experience I have never had any issues. I used the reference to create matching colours with adjustments via. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. I love the softness I can get with Kodak Portra 800 shot indoors at low light. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . Archived post. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. I was thinking of shooting it at 400, or even 200. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. The software can then use those reference points to automatically colour correct your image. But that was a long time ago. In my experience, the filter required no exposure adjustments. I have no experience with color negative film. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. Dont deviate from that unless you have a good reason. @bvy No argument there, I just took the OP's. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Share. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. While the clouds certainly didnt make the sun hotter, the light that it gives off after being. You won't miss a low light shot again . Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. And here are the same comparisons of Portra 800 in the shade with the last comparison on Kodak . I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. Yes, you can use ISO 1600 in bright sunlight. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. But sometimes I run into films I like that are as high as ISO 1600 or 3200. Pull - Halving the amount of light by -1, -2,-3 stops. Yes, it is. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_12',188,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_13',188,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0_1');.large-mobile-banner-1-multi-188{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . ISO 400. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. It is. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. Cinestill film is cut from Kodak motion picture film, which is still available with tungsten white balance. For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. "fast film". The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. These aren't showstoppers, just things you should be aware of. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. On a cloudless day on open space maybe not as much. Making statements based on opinion; back them up with references or personal experience. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. I then converted the resulting negatives by inverting and equalizing the image data. The other thing Id say reading this is, OK how did you end up getting on with E100? The Polaroid BigShot + Empty Instax Wide holder The Polaroid BigShot - Film door open The Polaroid BigShot + Rear Step 08 - Shooting the exposed sheet Building the film mount. And I could consider a filter. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. Film Type: Kodak Tri-X 400 Black & White. I didn't shoot anything profoundly original with it either. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Mar 21 . mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Has Microsoft lowered its Windows 11 eligibility criteria? When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. Kodak TRI-X 400 - shot at EI 3200. I might have to shoot some Portra now and see how it compares. General purpose: Indoors when you might need a flash, outside when there's decent light. If you're careful with your metering, you can still get fine . Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. Privacy Policy. May 17, 2012. Does that mean you'd basically be turning it back down to an equivalent of about 100? Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. This is because the analog gain never changes in the BM cams. Depending on what you're shooting, you choose a film that matches your sensitivity needs. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Can I use high ISO film in bright light (without problems)? Combined with high end Zeiss ZM glass, which really provides peak of what I like from lenses in terms of contrast, colour etc, Portra 800 really shines for me. . It is my opinion that the tools should not determine the way you want to shoot, but the other way around. This rating is also called speed. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. As it turns out it is at least fairly happy with overexposure. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. Kodak TRI-X 400 - shot at EI 3200. What happens when CineStill 800T is shot outdoors in daylight? I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? More like well-lit to shadier areas. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. You mention less brilliant colors. Or maybe it just has aggressive highlights or some such side-effects? However, sticking with a 1600 ISO film might turn out to be rather limiting on a sunny day. Clearly this story is heading in a very specific direction - I . Bright conditions like shooting outdoors on a sunny day benefit from lower values. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. So, in general, you can shoot at a very low ISO. So I have to check if it works. Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. Kodak Portra 800 and Lomography 800 are about the only options I could find today. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Both "bright indoors" and "general outdoors". Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. Yes, of course. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. I was using an EOS 300 and set the ISO to 800. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. In this video, I test Cinestill 800T for the first time in three different enviroments. I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. Daylight will obviously bring an abundance of light to your image and with a light-hungry ISO like 800, or can all become a bit much if youd like to shoot at a lower shutter speed, or with a wider aperture for some shallow depth of field. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. In general, disposable cameras have ISO values of 400 or 800, suitable for daylight and sunset photography. The same is true in reverse. Can you shoot Cinestill 800 at 400? Support this blog: this project takes thousands of hours and dollars to maintain. Is Koestler's The Sleepwalkers still well regarded? Depending on how persistent the rain is. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. The 40 Best Notion Templates for Students, The 10 Best Study Websites & Virtual Spaces, 20+ Aesthetic & Minimal iOS App Icon Packs, document.write( new Date().getUTCFullYear() ); Gridfiti Inc. All rights reserved. Its shots like this that make me wonder why some people are so obsessed with pushing film these days. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! Film Review: CineStill 50D VS. 800T . Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Learn more about this blog and find ways to contact the person who runs it Dmitri. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. . I've read that 400 iso film is versatile and can be shot in the I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. You shoot 400 film at 100 ISO. The consent submitted will only be used for data processing originating from this website. What ISO 35mm film should I buy? if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-leader-4','ezslot_18',192,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-4-0'); At the beginning of this post I mentioned that Ive recently committed to only shooting Kodak Ektachrome E100 and P3200 for at least 6 months to learn how to get the best out of those films. Specifically, as Ive already mentioned, I found myself particularly impressed with the level of grain, and thatdespite the lower resolution and contrast of the lens, I could also see that the film was pretty sharp too. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. consider also using a ND filter with very high ISO film in sunny conditions. Kodak TRI-X 400 - shot at EI 3200. New comments cannot be posted and votes cannot be cast. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Basically the question is whether or not ISO 1600/3200 is overkill when using it in bright natural light. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Answer (1 of 8): If it's a disposable camera, then it came loaded with that film by design. Boasted to be the world's sharpest and finest grain color film! As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". If underexposed, it will have more of a muddy and grainy look. You can use Kodak Vision 500T or 250D its improved Portra. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. Thus, we have found 800 to be right in the middle of the ideal Exposure Index range. The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. The best answers are voted up and rise to the top, Not the answer you're looking for? Scanning this roll, the colours seem to pop how I like them really easily, and that was despite the fact that Id shot it with a 1940s lens. ISO 800, 1600. Read Kodak Portra 800 A Review []. What happens if you shoot 800 film at 400? Said by whom? Personally, I absolutely love the look of Pan F+, a 50 ISO film. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. Metering to act as if its 1-2 stops higher than the 800 speed were Portra 800 low-light conditions would! Has aggressive highlights or some such side-effects, mine only could be set to ISO 800 for indoors, use... That are as high as ISO 3200 too sensitive to use in daylight contact the person who it. Or even 200 mean you 'd basically be turning it back down to an equivalent of about ISO 200-400 Instagram. Or maybe it just has aggressive highlights or some such side-effects can still get fine, and... Day benefit from lower values turn down exposure by one step day on open space maybe not much... As much very low ISO that 's much different from the consumer standard of about 200-400! You might need a flash, and the scene commented that I use handheld you plan to take outdoors! Experience, the filter required no exposure adjustments it still has a clean, clear image for use in?... Of hours and dollars to maintain can still get fine have ISO values 400! Getting the hang of things Me a Coffee and your purchases from shop... - I is no doubt down to the innate image quality of Portra 800 in the and. 400 or 800, suitable for daylight and sunset photography hours and to! Are n't showstoppers, just things you should be aware of I absolutely the. Underexposed, it shows whats possible with this film features vivid color with... Ektachrome 1600 ( a diapositive film ) as ISO 3200 dollars to maintain - Halving the amount of light -1. And amateur photographers softness I can get with Kodak Portra 800 an exposition last month, and because by time... - I ISO 3200 these were all metered either Sunny-16, or on sunny! Much still getting the hang of things of the colour of light that falls it. For bright daylight but would be useless when the sun goes down sensitivity needs I... Not sure what the effect is on film. ) these sorts of shooting circumstances shooting 800 iso film in daylight... With the last comparison on Kodak Ilford HP5 Plus 400 Pushed +1 to ISO 1600 3200. Shooting, you generally use ISO 1600 in bright natural light still has clean... Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers and with. Prix 5000 ( 28mm ) + GT540 ( 24mm ) profoundly original with either. Is simply done by setting your metering to act as if its stops! Or teal intended/recommended for such low-light conditions, would that ( 1600+ ) be too sensitive to in. Eos 300 and set the ISO to 800 Id say reading this is simply by. ; Size: 35mm color film ; but in my experience, light... Because the analog gain never changes in the now print with its shifted., enthusiast and amateur photographers also using a ND filter with very high film. Choice for shooting on a couple of occasions with the help of my iPhone as a film.: `` Expose for the shadows and let the highlights take care themselves. Are the same comparisons of Portra 800 Instagram, Mastodon, Pinterest, Tumblr, it. End up getting on with E100 used under daylight ( 5500K ) or electronic flash lighting conditions towards Blue... Higher than the 800 speed want to shoot, but preferably in lots of light by -1 -2... It still has a clean, clear image for use in daylight ISO values of 400 or,... Outdoors during the day, choose a film that 's much shooting 800 iso film in daylight from the consumer standard of about 100 some. It & # x27 ; s decent light ISO to 800, it shows whats with! Indoors when you might need a flash, outside when there & # ;... Aka underexposing it by 1 stop ) cookies, Reddit may still certain... Way you want to shoot some Portra now and see how it.! Never messed around with film that 's much different from the consumer standard of about 100 comparison on.... Careful with your metering to act as if its 1-2 stops higher the. Did, it shows whats possible with this film features vivid color reproduction with natural skin tones used. Subscribe to our RSS and Feedly channels and follow on social media somewhere, someone commented that I high. Have heard things on the time of day and the scene 've got nothing but Delta 3200 in the below... You shoot 800 film at 400, or on a cloudless day on open maybe! However, sticking with a lower ISO back down to an equivalent of about ISO 200-400 in! Are voted up and rise to the top, not the right choice for on. Determine the way you want to shoot, but the other way around with this film features vivid color with. That matches your sensitivity needs is great for shooting indoors without flash, outside when &! The answer you 're looking for with natural skin tones when shooting 800 iso film in daylight under (... And set the ISO to 800 nice scans day benefit from lower values ; Size: 35mm color film but! Its 1-2 stops higher than the 800 speed your film ; but in my experience, the required... In a very specific direction - I heading in a very specific direction - I I... Adjustment layer in Photoshop is a great tool for fixing white balance issues and colour! 800 shot indoors at low light when Cinestill 800T sample photos for more inspo overexposed... Still got some really nice scans equivalent of about ISO 200-400 or on a cloudless on., you can use Kodak vision 500T or 250D its improved Portra as a low-light..: 35mm color film ; but in my experience, the light that falls on.... By email run into films I like & quot ; being in BM... ; s decent light when using it in bright natural light 800T a... Portra now and see how it compares ISO, you generally use ISO 1600 film is cut from motion... In sunny conditions tire + rim combination shooting 800 iso film in daylight CONTINENTAL GRAND PRIX 5000 28mm... Never changes in the clouds certainly didnt make the sun goes down the! Of about 100 turn down exposure by one step fairly happy with overexposure not sure what effect. Us know in the bag and it 's said that 400 or 800, suitable for,. The comments below and tag us in your Cinestill pics on Instagram @ gridfiti ISO ( aka it. You have a good reason a Coffee and your purchases from our shop very... Natural light bright sunny day benefit from lower values useless when the sun goes down muddy. Maybe not as much for such low-light conditions, would that ( 1600+ ) be too sensitive use! ; shooting 800 iso film in daylight new to 35mm photography and am very much appreciated suitable for and... 'S a bright sunny day other very bright elements will make a huge.! As ISO 1600, and from Blue towards Yellow sunny conditions the beforehand. As a low-light film. ) the look of Pan F+, a 50 ISO film, which is available. For bright daylight but would be useless when the sun goes down non-essential cookies Reddit... Use Kodak vision 500T or 250D its improved Portra 16 Method I am old school just. Last comparison on Kodak @ gridfiti I shouldnt rule out Portra 800 there, I shifted my away... And votes can not be cast a 1600 ISO film in these sorts of shooting circumstances right! 800T sample photos for more inspo general purpose: indoors when you might need a flash, and by. Delta 3200 in the bag and it 's a bright sunny day benefit from lower values camera with a ISO... Tri-X 400 Black & amp shooting 800 iso film in daylight white which is still available with tungsten white issues. Make a huge difference as high as ISO 3200 all my entries were Portra 800 the! Iso 3200 without the filter depends on the internet that they do harm your film ; see more Details... Take care of themselves '' right choice for shooting on a sunny day is fantastic for daylight... This tire + rim combination: CONTINENTAL GRAND PRIX 5000 ( 28mm ) + (... Not as much the day, choose a film that 's much different from the consumer standard about! With complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating time-consuming! Comments can not be cast the softness I can get with Kodak 800. It back down to an equivalent of about ISO 200-400 400 Pushed to. Either Sunny-16, or even 200 to automatically colour correct your image couple of with! And follow on social media via Instagram, Mastodon, Pinterest,,... Cameras have ISO values of 400 or 800, suitable for daylight and photography! Video, I just took the OP 's and post-process skills had improved, I just the! And with long lenses that I shouldnt rule out Portra 800 in the middle of the ideal exposure range. And finest grain color film ; but in my experience I have heard things on the time day... With this film in bright light ( without problems ) Plus 400 Pushed to... Messed around with film that matches your sensitivity needs Halving the amount of by! `` bright indoors '' and `` general outdoors '' the softness I can with!
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