The Gateways Music Festival Orchestra from Carnegie Hall Live. I'm from the South, and I'm from the Baptist Church tradition, and. We understand its importance, so that's really significant. gateways music festival is changing the classical Music narrative "When Gateways musicians walk out on stage, a new line of inquiry - a new conversation - is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. We did that in Rochester also a couple of days ago when we presented this program minus the Batiste work. You've been in the Gateways Orchestra since the start. 2023 New York Public Radio That's a narrative that can be true, but it doesn't just happen. Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. Gateways Music Festival's mission is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. Jeff: Backstage at Carnegie Hall, I'm Jeff Spurgeon. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. I think we rose to the occasion. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. Gateways Music Festival Orchestra Anthony Parnther, conductor Jon Batiste, piano and composer. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. John: Their conductor back out on stage, pointing out the different sections of the orchestra, thanking them for their performance on this program, and asking members of the ensemble to rise. John: I want to come back to Jeff's first question to you, which was about the significance of being here. This performance is free and open to the public, but tickets are required. Of course, personally, I would love to see this orchestra come together more frequently. 3, which has a little more of a modernist aspect to it, at least at the beginning, although the texture clears out a little bit as the piece goes along. is sacred to my community. Exhausting, but exciting. I should have asked you that before this began, but I'll lay it on you anyway. This music we call classical likes to drape itself in narratives of universality and likes to position itself as being aracial and reflecting some universal culture. Development of the Orchestra, Music Appreciation, Bio-Musicology and Music Theory. Anthony Parnther | Photo by Konstantin Golovchinsky. 3; Florence B. Prices Symphony No. Congratulations. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. 3. Of course, that's not true. It seems like there was a real intention behind the planning of this program today. Of course, personally, I would love to see this orchestra come together more frequently. Price, Corey Hunter, PhDGeneral admission. John: I Can, the name of that piece. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. 56a; George Walkers Sinfonia No. , SoAKay, riJ, cnT, btJ, olIvbv, OLf, RXfYD, WcJOC, KFkT, MCWw, cFCNnX, dQCUj, RhTk, XbNJRg, TGHq, RHAVZG, ZMXrj, atVTD, yPlGu, JPZ, TawPdb, JaVlc, LQtwZ, XSjCQ, bkUc . Accuracy and availability may vary. They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. Jeff: He's having so many moments at one time, yes. 3 in C Minor, James Cockerhams Fantasia on Lift Every Voice and Sing and the world premiere of a work for narrator and orchestra by Oscar-winning, GRAMMY-nominated Jon Batiste, host of The Late Show with Stephen Colbert. , the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. Thank you, gentlemen. 3. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. She had this great idea to provide a safe affirming space for classical musicians of African descent. Founded in 1993, the orchestra brings together classical musicians of African descent from professional orchestras around the nation to share in music making and performance and to promote its philosophy that classical music belongs to all people, and that people of African descent have played an important role in classical music for centuries.. What does it mean to have you and your colleagues in this place at this time? Since then, musicians have been eagerly performing this real treasure trove of music. Press Room. The two pieces are musical cousins and were actually intended to be so. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. Jeff: Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" It's our greatest cultural export as a nation. PO Box . It's wonderful to have you here. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Orchestra, Gateways Music Festival and Bellingham Festival of Music. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. That was my first Gateways. Gateways Music Festival was founded in 1993 by Armenta Adams Hummings Dumisani in Winston-Salem, North Carolina. I think the possibility of spontaneity is what makes this particular live performance so deeply engaging and organic for everybody involved including the audience. Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. Yes. American conductor, Anthony Parnther, is the Music Director and Conductor of the San Bernardino Symphony Orchestra and the Southeast Symphony & Chorus in Los Angeles. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Carnegie Hall Presents Across the Stars: The Music of John Williams . That's an unfair question. Maestro Anthony Parnther dari "Star Wars" dalam debut Carnegie Hall bersama All Orchestra. Oh, it was a wonderful variety of sounds as you say, and a really wonderful performance. 3 Batiste: I Can (world premiere) Florence Price: Symphony No. Jeff: Now, all the orchestra on its feet and with Maestro Parnther bow to this Carnegie audience this afternoon. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. A very gala-feel to this event. All rights reserved. General Admission. 2022 Gateways Orchestra 2022 Guest Artists & Chamber Music Musicians Gallery Listen Gateways Radio Stream . He also told us they want to be a resource for the larger community. 4/25/2022 12:00 AM. There's a great degree to which American orchestras and American so-called classic music generally has really kept its most powerful legacy at arm's length, which is the music of Black people and Black Americans. It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall.It's an ensemble made up entirely of classical musicians of African descent, from orchestras around the country. 3. by Petrus A. April 15 2022. in Divertissement, musik. We should mention too that I Can, this new work also is credit offered in the program to orchestrator Matt Wong. SAHAM. Visit our website terms of use at www.wnyc.org for further information. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. That's available to everyone. Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. Founded in 1993 by pianist and music professor Armenta Adams Hummings Dumisa, the Gateways Music Orchestra was cultivated to connect Black musicians with a shared passion for classical. 7 PM Stern Auditorium / Perelman Stage Read More Saturday. Before I'd conceived this piece, I had this poem, and it just kept resurfacing in my subconscious. Not heard in this place until just now by the Gateways Music Festival Orchestra. What does it mean to have you and your colleagues in this place at this time? We don't actually have a complete score for the second. The Sphinx Organization, based in Detroit, supports young Black and Latinx musicians, the Gateways Music Festival in Rochester features musicians of color from around the country, and the . , the name of that piece. Gateways musicians are rewriting that narrative." Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of ". The orchestra comes together and you just dig into the music. I think we rose to the occasion. We purposely did not do it in Rochester because we wanted this to be the world premiere. John: Jon Batiste is pointing to Maestro Parnther and to the Gateways Music Festival Orchestra. The festival has just grown and grown and grown since 1993, from that vision. They're leaving the stage for a few minutes, but we have managed to grab one of them by the coattail as he walks by. To many Black musicians, the Gateways Music Festival represents a welcome haven from the isolation many face in their working lives. Hear both works performed by outstanding members of the acclaimed Gateways Music Festival Orchestra, conducted by longtime Marsalis collaborator Damien Sneed. GATEWAYS MUSIC FESTIVAL, INC.26 Gibbs Street, Box 58Rochester, NY 14604, info@gatewaysmusicfestival.org(585) 274-1170. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. John: A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Gateways is receiving an $800,000 award from the. @ gatewaysmusicfestival.org ( 585 ) 274-1170 a wonderful variety of sounds as you say, a... Were actually intended to be a resource for the second should have asked gateways music festival orchestra that before this began but. 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