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Zeus was the king of the gods. His jealous queen, Hera, tricked Semele, telling her to ask Zeus to come to her, not in human form but in his full splendour. Zeus granted this favour and Semele was consumed by his lightning fire as from her pregnant womb their son Dionysus was born (the Latin name for Dionysus is Bacchus). 

The story of Semele was made into an opera by Handel, which premiered in London in 1744. I love Handel; he is a great composer whose operas are wonderfully human, ironic and sexy – and great music is timeless. To open the Herrenhausen Festival (Hannover, Germany, 27 May – 19 June) Handel’s work was magically transformed into Semele Walk, a musical – theatrical performance staged in the perfectly restored baroque gallery where ancestors of Britain’s George I once held banquets – a wonderful setting for the catwalk that forms the stage.  

The theme of the Festival is ‘Worlds Unleashed’ – which focuses on the danger we face from runaway climate change (once it hits +2 degrees). The key speaker at the opening was Lord Giddens, who is passionately convinced of the urgency needed to stop climate change. I agree with him about the urgency to find a solution and believe the weight of public opinion must be brought to bear on business and government. Unfortunately, I couldn’t attend the opening night as I was in Africa – but you can watch the video I made to be shown at the event and hear my thoughts on the issue.

 Semele Walk incorporated fashions from my spring/summer 2011 Gold Label collection, ‘Get a Life,’ which is all about climate change and saving our planet, Gaia. We also specially designed key outfits for the performers and musicians which added to the baroque grandeur of the story and reflected the famous gallery where it was performed. Baroque is the tension between restraint and grand gesture. My clothes echo this – they have a dynamic rapport with the body which is body conscious and keeps you centred and moves with every breath. 

‘Worlds Unleashed’, combining art and music, takes place in the spectacular Herrenhausen Gardens, Hannover, Germany, with performances in the Orangerie or Gallery, a baroque banqueting hall. www.hannover.de/kunstfestspiele/index.html

Many people think that the cost of going to the opera is out of their reach. This simply isn’t true! In London, The Royal Opera House has schemes which cater for any budget. Standard tickets range from £4 – £120 depending on the individual production.
You can save money by going in person to the Box Office Link, Bow Street at 10.00 am to get tickets for that evening’s performance (£6 – £52) – only a limited number are available so it’s worth checking.
The Royal Opera House also has a £10 Student Standby scheme. Unsold tickets are available to students who sign up – you’ll then be notified about availability. Visit www.roh.org.uk/studentstandby for more information.
Booking for the autumn season opens to the public on July 5 2011. For standing tickets, you need to book as far in advance as possible. The autumn season starts mid September. Please check the website for programme details. (+44 (0)20 7304 4000 www.roh.org.uk)

Treat yourself to an experience that could change the way you look at life; I’ll let you know my thoughts on the performances I attend – and would love to hear yours.

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  1. I would love to go to the Opera, it’s just such a shame that everything seems to be based in London, it’s not very easy for me to get there from Yorkshire, maybe during my summer holidays when I’m not at college!

    I absolutely love the story of Semele, especially when you realise just how relevant it is in regards to climate change. Maybe if people did wake up to the possibility that if we allow runaway climate change to happen then we too as a race, may be consumed in fire and heat, which will ultimately result in the death of our race.

    What can be more important to us that the survival of our own race?

    Another wonderful post, I look forward to reading your next,

    James

    Comment by James Emmett on 09/06/2011 at 7:24 pm

  2. hi i used to work at the royal opera house back in the eighties and they used to let the general public watch final dress rehersals which were more interesting more fun and better excecuted than the real show. This was probably due to all the musical directors and choreographers buzzing around with their note books in a frenzy of course by the evening everything has been plastered and bandaged together not a gaping wound in sight lets hope they still run these sessions and if they aren’t why not after all they get plenty of moneythrown at them, i think eveyone should be able to experience the beauty of ballet and opera and i don’t mean watching it on some screen in covent no it should be in the realm for everybody.

    Comment by suzie flynn on 08/10/2013 at 5:38 pm